A Simple Curve in Time and Space #1

$3,200
A Simple Curve in Time and Space #1
J.T. Gibson
bronze, 7x9.5x4"

Pour Cup

$650
Pour Cup
J.T. Gibson
bronze, 6x2.5"

Frieda Natural Candle Holders, Pair

$750
Frieda Natural Candle Holders, Pair
J.T. Gibson
bronze, 2.75x2.5"

Frieda Oil Rubbed Candle Holders, Pair

$750
Frieda Oil Rubbed Candle Holders, Pair
J.T. Gibson
bronze, 2.75x2.5"

Mariner's Dream in Bronze, 1/12

$3,500
Mariner's Dream in Bronze, 1/12
J.T. Gibson
bronze, 4.5x5x5"

Mariner's Dream in Glass, 2/12

$3,200
Mariner's Dream in Glass, 2/12
J.T. Gibson
kiln cast glass, 4.5x2.5x2.5"

Three Junes, 3/5

$8,500
Three Junes, 3/5
J.T. Gibson
bronze, 87.5x1.5x1.375"

Bundle (Driftwood Beaver Chews), 1/5

$5,800
Bundle (Driftwood Beaver Chews), 1/5
J.T. Gibson
bronze, 11.5x6x6"

Twins (Driftwood Beaver Chews), 1/5

$5,800
Twins (Driftwood Beaver Chews), 1/5
J.T. Gibson
bronze, 8x5.75x10.5"

Tidal Suite #5, 1/10

$5,800
Tidal Suite #5, 1/10
J.T. Gibson
bronze, 14x11x1.5"

Tidal Suite #6, 1/10

$5,800
Tidal Suite #6, 1/10
J.T. Gibson
silvered bronze, 14x11x1.5"

Tidal Suite #1, 1/10

$5,800
Tidal Suite #1, 1/10
J.T. Gibson
bronze, 14x11x1.5"

Castine Side Table

$6,500
Castine Side Table
J.T. Gibson
cast polished bronze, 24x11x14.5"


Bio

J.T. Gibson studied sculpture at Pratt Institute in the late seventies and learned the craft of fine art metal casting at the Johnson Atelier, a premier bronze art foundry. Thereafter, he founded Gibson Design, specializing in custom bronze metal work and his own furniture designs, and apprenticed with Neil Selkirk Photography in NYC. He has maintained his practice as a contemporary artist and sculptor, exhibiting in museums and galleries.

"I am a contemporary sculptor who investigates cultural artifacts to construct work that inhabits the gray area between abstraction and purpose. My sculptures reference the figure, implements and machines, and thus have a familiar yet unidentifiable presence, evoking perhaps some ancient, hard-wired memory. They are self-sufficient objects that rely on the singular form, without adornment, to convey their power. I am engaged with a pared-down aesthetic, composing a language of symbols and narratives that derive from and reflect on the nature of human enterprise. Great beauty compels me, but also the processes of decay - the continuous recycling of birth, life and death."