J.T. Gibson
$4,200
J.T. Gibson
Mariner's Dream #3, 1/12
kiln cast glass, 9x9x0.75"
$26,000
J.T. Gibson
Combinati #4
bronze, 41x14x8"
$300
J.T. Gibson
Last Night's Supper
bronze, $1,800 bowl, $300 claws each
$12,000
J.T. Gibson
Pure, 1/1, Reconfigured - Reconsidered - Recycled Series
bronze, 14x12x4"
$1,200
J.T. Gibson
Nine
encaustic wax, beach stones on wood panel, 10x10x1.5”
$1,200
J.T. Gibson
One, Zero, One
encaustic wax, beach stones on wood panel, 10x10x1.5”
$3,200
J.T. Gibson
A Simple Curve in Time and Space #1
bronze, 7x9.5x4"
$4,800
J.T. Gibson
FREE FOR THE TAKING
bronze, 10x10x1.5"
$8,500
J.T. Gibson
Three Junes, 3/5
bronze, 87.5x1.5x1.375"
$3,500
J.T. Gibson
Mariner's Dream in Bronze, 1/12
bronze, 4.5x5x5"
$3,200
J.T. Gibson
Green Mariner's Dream
kiln cast glass, 2.5x4.75x4.75"
$5,800
J.T. Gibson
Bundle (Driftwood Beaver Chews), 1/5
bronze, 11.5x6x6"
$5,800
J.T. Gibson
Twins (Driftwood Beaver Chews), 1/5
bronze, 8x5.75x10.5"
$950
J.T. Gibson
Dragon's Talon Fire Poker
bronze, 28.5"
$5,800
J.T. Gibson
Tidal Suite #5, 1/10
bronze, 14x11x1.5"
$5,800
J.T. Gibson
Tidal Suite #6, 1/10
silvered bronze, 14x11x1.5"
$5,800
J.T. Gibson
Tidal Suite #1, 1/10
bronze, 14x11x1.5"
$6,500
J.T. Gibson
Castine Side Table
cast polished bronze, 24x11x14.5"
$650
J.T. Gibson
Pour Cup
bronze, 6x2.5"
Bio
J.T. Gibson studied sculpture at Pratt Institute in the late seventies and learned the craft of fine art metal casting at the Johnson Atelier, a premier bronze art foundry. Thereafter, he founded Gibson Design, specializing in custom bronze metal work and his own furniture designs, and apprenticed with Neil Selkirk Photography in NYC. He has maintained his practice as a contemporary artist and sculptor, exhibiting in museums and galleries.
"I am a contemporary sculptor who investigates cultural artifacts to construct work that inhabits the gray area between abstraction and purpose. My sculptures reference the figure, implements and machines, and thus have a familiar yet unidentifiable presence, evoking perhaps some ancient, hard-wired memory. They are self-sufficient objects that rely on the singular form, without adornment, to convey their power. I am engaged with a pared-down aesthetic, composing a language of symbols and narratives that derive from and reflect on the nature of human enterprise. Great beauty compels me, but also the processes of decay - the continuous recycling of birth, life and death."